Today at the Acoustic Country Music Jam I sang Congratulations, Lodi, Pilgrim Chapter 33, and Plastic Jesus

Today at the Acoustic Country Music Jam I sang Congratulations, Lodi, Pilgrim Chapter 33, and Plastic Jesus

You Won’t Disgust Me – The Sunday Mornings, “Bloodshot Eyes” – 2003-03

The Blackwood Press DUB, March 2003, cover painting "The Fashion Show" by Dave Bullhorn

This song was originally published March 2003 in The Blackwood Press DUB, a nearly unmentionable ‘zine I helped publish.

You Won’t Disgust Me – The Sunday Mornings – Bloodshot Eyes

You Won’t Disgust Me

put your mind
in my dish
make a wish
I won’t waste it
I’ll see what I can do
I want to make it come true

put your heart
in my hands
the beat stands
on my fingers
the blood lingers
I will do my best
to fulfill your breast

baby you can trust me
let me look
you won’t disgust me

put your mouth
where my lips are
take a look at my hip scar
it waits for you
I wanna share this chance
would you care to dance?

baby you can trust me
let me look
you won’t disgust me

As usual, this is more like a one-off half-formed number that my friend Jim Bob and I were messing around with. There are a few others that complement the experience, maybe I should post those as well. I’m glad we recorded them.

Johann Pachelbel’s ‘Canon in D Major’, 1694; popular arrangement for solo guitar, as performed by Joe Greenwood on double guitar

I was asked to play this song for a girlfriend’s wedding as she walked her processional down the aisle.

That day, it was beautiful; but I was only able to play the first several opening measures. So, as a gift, I made this recording of the full arrangement.

Johann Pachelbel’s ‘Canon in D Major’, 1694; popular arrangement for solo guitar, as performed by Joe Greenwood on double guitar

This is a widely popular arrangement for solo guitar that I have been playing since I was a young boy. Here, I recorded myself twice, once on top of the other, to fill in some areas that felt inarticulate without further clarification. It is a quick, rough sketch; I am far away from perfection in so many things, and my life is short.

My favorite performance arrangement for this song includes a group of strings, nearer the original score for three violins and basso continuo. Just the thought blooms a panoramic scene of beauty inside my mind.

For this recording, and at the wedding, I used an Epiphone ‘Chet Atkins’ model classical style electric-acoustic guitar, with nylon strings and a broad classical style neck. The guitar is borrowed from my uncle Alan.